Private Lessons

I have been in attendance to many private voice lessons through my life (especially these past 6 years). I have been both the teacher and the one being taught. Through personal experience, I have seen how much private voice lessons can help a singer.

So let's say you want to begin private lessons for the first time, or maybe you have had lessons for a long time but want to try a different teacher. Where do you go from there? When you are starting from square one, how do you find a vocal teacher? There are some good and reliable websites on the Internet that can help with this. Click here to look for music teachers in your area!

Another thing you can do to find a teacher is to ask around. If you hear a good vocal performance don't be shy and ask them if they or anyone they know is teaching and taking new students. You can also ask local teachers that are involved with music and theater for recommendations.

If you have more than one vocal coach option, there are some other things that should look for in picking one. Omega Bone gives some helpful tips about picking the right vocal coach in the following video clip.

Know the lingo!

To some people, singing "lingo" may sound like gibberish. They may not understand what certain words mean and so some words would sound odd to them. As a vocalist, it is important to know the terms that are used in the vocal world. Legato, falsetto, resonance, trill, A Capella, scoop, projection, etc. The list could go on and on. Kristina Seleshanko, who specializes in voice training and coaching, gives a list of helpful "Singing Terms" on her website. The list does not include all of the words used by vocalists, but it is a very good list of the basics. Click here to see the list.

There is much more to singing then how you sound in the shower or driving in your car alone. Don't be caught not understanding words and terms that are so commonly used in the vocal world. Know the lingo!

Take a look!

I was standing in small vocal room facing the piano where my voice teacher sat. We were practicing a song that I would be singing at the end of semester performance. About halfway through my lesson, my teacher stopped me. “Instead of facing this piano, let’s have you face the mirror,” he said. I turned to face a full length mirror on the wall to my left. Seeing myself as I sang helped me. I was able to see and catch myself physically doing things that I wanted to change. I noticed that I could drop my jaw more and not sway as much. Thank goodness I took a look!

When we watch ourselves in the mirror while we sing, we are seeing what the audience will see. In a way we are able to be both the audience and the performer. Doing this gives you power. You receive the power to make sure that the audience will see you do what you want them to see you do.

Watching yourself in the mirror may also open your eyes to things that you could do to improve you singing. For instance, you may notice that your diaphragm is not filling deeply because you see that your chest is rising with air as you breathe in instead of your stomach. Or, you may see that your eyes seem bored and dreary instead of alive and involved in the music. These are things that you may not have realized without actually watching what you do.

The next time you are practicing your vocals (hopefully that is soon), face a mirror and TAKE A LOOK!

DEFY GRAVITY

"It's time to try defying gravity, I think I'll try defying gravity, and you can't pull me down." This musical has inspired me throughout these past years. It has touched my heart. The name of this amazing Broadway musical is "Wicked."

Some of you have heard of it, some of you maybe not. For those of you who don't know, the plot is a story of Glinda the good witch and the wicked witch before they journeyed down their separate paths. Sounds kind of odd, right? I remember not being to interested in learning more about it when I first was told the main plot. Was I wrong or what! When I was a young teenager, I began overhearing my mom listening to the music and I fell in love. Since then, I have memorized all of the songs and have seen the musical in theatre three times (in NY city, Arizona, and LA)

The musical became personal when I performed "The Wizard and I" at a competition when I was 17. Much practice was put in and I was very devoted to doing my best. The final night of performance was a special night for me. The next year, I auditioned for a solo for that same song in my choir and was chosen. I was very happy to have the opportunity to sing that special song again.

As you can see, "Wicked" and the songs in it have had an impact on me. I have felt what this musical can give to people and I wanted to share it with you. Go to see this musical! If you won't be able to for a while, start with listening to the track. You will find yourself singing or humming the tunes throughout your day.

If you are interested in attending this life changing musical soon, click here to look into buying tickets. And if you are not interested, watch the following clip from Wicked and I am sure your interest will grow.

Larynx

What is the larynx? Take a big swallow. When you swallow, the larynx is the lump of cartilage in your neck that rises and falls. Did you feel it? Inside of the larynx resides the vocal cords. As you can imagine, the vocal cords are key to singing (hence their name). When air flies up from the diaphragm, the vocal cords try to resist opening until they no longer can. When the air forces them to open, they vibrate. The actual sound is made when those vibrations flow up and hit the cavities of the mouth, sinus, and head. That is how are "tone" is produced.


While you sing, the larynx needs to stay out of the way! It will rise and fall a little bit to adjust to pitch, but other than that, it should be inactive. When the larynx is out of the way, the vocal folds will be able to do what they need to do to produce nice sound. The throat should not feel as strained. If that is the case, you know that your larynx is not relaxed and out of the way.


The picture to the right is of the inside of the throat, both when the vocal cords are closed and when they are open. The picture below is a diagram that gives even more detail.


If we are aware of what is going on inside of us when we sing, we will be able to lengthen our abilities and greatly lessen our chances of injury. Love your larynx; take care of it.

Be Smart

Be an intelligent vocalist. What I mean is, know the history and facts behind vocal singing. Understand why vocal music is what it is today. Be aware of what is going on vocally in the world. The internet is a great source (if your source is credible) for learning more and educating yourself as a vocalist. There are also great vocal history books that can help as well. Click here if you are interested in buying a book to educate yourself with.

Another way to be an “intelligent vocalist” is to know the history behind specific songs that you sing. By understanding where the song came from, you can more fully feel the music and words as you sing. Search out the history behind what you will be performing. That is the least that you can do out of respect for the composer who wrote the song that you are about to use.

I actually got the idea for this post from my dance class as a matter of fact. I am a dancer as well and once my dance instructor said, “Be an intelligent dancer. Know your facts and history.” I believe that this applies for many different hobbies (football, writing etc.) The more aware we are, the more we will appreciate what it is we are involved in.

So, to put this all into a nutshell, be smart.

Nerves in the way?

The stage lights are shining brightly down. Every eye in the audience is focused on me. With microphone in hand, an odd feeling fills my stomach. Suddenly my hands start to get a bit shaky and my forehead becomes moist. "What is happening to me?" I may ask myself. The answer is NERVES.

It is common for vocalists to get nervous before a performance. In fact, a good amount of nerves will help the vocalist push themselves and do their best while performing. When nerves become a problem is when they get out of hand and begin to take control of the singer.

But how can a singer not let their nerves take charge? It seems as if the nerves are the boss right? Personally, what helps me the most when I want to lessen my nerves is when I phych myself up. I say things in my mind to myself like, "You totally got this" and "You own this song". I also always take deep breaths, filling the very bottom of my diaphram with fresh air. Those two hints are my favorites and have helped me do my best while singing solos.

Another helpful hint to calm nerves would be to BE PREPARED. By rehearsing many times beforehand, you gain a confidence that you can do it because you had heard yourself do it so many times beforehand. It is also good to visualize beforehand, yourself performing well.

Click here for some more tips about how to relax before singing.

Really take these tips to heart if you struggle with your nerves getting in the way of what you can do. And remember: sing to EXPRESS, not to IMPRESS.